A film version of a play Fassbinder directed in Hamburg, Clare Booth Luce's The Women. It gave Fassbinder an opportunity to indulge his passion for working with women - there are forty women in the play and no men. The play dates from the 1930s, and Fassbinder was accused by the critics of being anti-women (a frequent criticism of late). As usual, he chose to work against the text, and from this has constructed an entertaining and engaging play about love between upper-class women with nothing better to do than sneer at others when things go wrong with their lives and loves.
@速溶梨
剪辑有点破碎,看完要看解析,以及作为鬼片最大的问题是没有被吓到哎……
@hellohaoyu
找回了观众对农村的荒芜和贫穷的记忆。影片中最大限度的避免了否定性的叙述。连老天也不来为这对恋人做梗。有铁与贵英是一种理想的,完美的爱情。一方面没有生活不确定性的逼迫;另一方面,农民这个角色提炼出来的质朴让恋人间甘于贫贱。一个角度是,编导没有设计床戏。这是乡土文学(电影)中极少发生的。编导掬出来的爱情是放在玻璃盅里柏拉图式的,因此不得不采用日韩爱情片中常见的“得了白血病”这样突然死亡的设定。留给观众一个没落的痴情的男子,萧然的孤独。
@吴胖:服务创新
没有什么好说的,今天我们的一切和平和幸福都有他们的贡献,功劳怎么说都不为过!
@人間失格乳酸醬
zz正确 却不令人讨厌 被治愈了
@cc要早睡
自认为周星驰最好的电影之一